ALIZÉE THE NOVEL - 2nd installment

ALIZÉE THE NOVEL - 2nd installment
Again, my apologies for the Google translation but the story needs to be told some how some way and I guess by me.


III OR, THE GIRL IN WOMAN, SHE KNOWS WHAT IT WANTS

The story of the girl is written so that accidents and turns of his life again. At the individual level, some movements of the historically and cultural policy. She married a deserter from Star Academy. In Las Vegas. Her name matching listings on Clearstream. She broke with her parents and art, some time, goes underground.

For an idol works, reflects, it must be smooth and available. Now Alizee is an infant. Then back, animated some idea of independence. Her third album will sour her own label, Wisteria Song, licensed from Sony. She has produced itself, surrounded by his family and artists she admires (Jeremy Chatelain, Jean Fauque Oxmo Puccinw Daniel Dare, Bertrand Burgalat ...) Psychedelics is gold record in France: The album ends the year was the fourth best-selling French-Entrange: Alizee Becomes a superstar in South America: it is (his own role) in a telenovela watched by over 75 million viewers.

IV GIRL OR REFUSES, SHADE, AND REBUILT

But it does not suffice. After three albums classic variety, Alizee wants a break. Not just a step aside. She is twenty-five years, it is time that the story bounces it becomes more strangeness.

This is a remix of the detour that crosses the path of the label Institubes, known for his play brings to the big French electronic machine, and it is a gesture of defiance that opens this new chapter. David Rubato is assigned to remix "Fifty-Sixty" has the attention of clubs and DJs. In defiance of the order, he immersed the piece in a bath of slowly revealed it to him a new trajectory, shaped divagatiion Gainsbourg. Beyond electro, more than a particular sound, is the art of skid control that captivates Alizee.

Here we enter a new field of possibilities: it will not vampirize of an aesthetic, to slip quickly into the uniform of the moment, as would a Madonna, but she can organize the meeting of two languages, two cultures developping their works and their codes each of their ratings. It is not that Alizée is tired of the variety is that she wants to finally make his own. On or risk. On or courage.

On or detour. By bringing together around her young producers and writers whose specialty is the variety but the electro pop and indie, and asking them to write to her and nothing that much out of their registers that she moved away from his. Alizee got what it wanted: a great novel, a drama.

Alizee Nation